12/24/2009

Avanço do pilar sobre a cava da roda


Degrau para saída de emergência


President Barroso received the Manifesto for creativity and Innovation in Europe

The "Manifesto for Creativity and Innovation in Europe" is one of the key outcomes of the European Year of Creativity and Innovation 2009.

How can Europe be at the forefront of the new, globalised, intensely competitive and knowledge-based world of the 21st century? How can the creative and innovative potential of Europe be better used in education, research, culture, design, business and the workplace? How can public policy at the European and national levels foster creativity and innovation in these fields?

Through 7 priorities and 7 lines of action, the Manifesto brings a powerful impetus for change. It will help shape the European Union's vision of the role of creativity and innovation and feed into the Union's strategy for the decade 2010-2020.

Official website of the European Year of Creativity and Innovation 2009: www.create2009.europa.eu



The world is moving to a new rhythm. To be at the forefront of this new world, Europe needs to become more creative and innovative. To be creative means to imagine something that didn’t exist before and to look for new solutions and forms.
To be innovative means to introduce change in society and in the economy. Design activities transform ideas into value and link creativity to innovation.
In order to progress, Europe needs increased investment – both private and public – in knowledge.
Moving ahead with wisdom requires respect for history and the cultural heritage. New knowledge builds upon historical knowledge, and most innovations are new combinations of what is already there.
Culture, with its respect for individual and collective memory, is important to maintaining a sense of direction in the current context of restless change.
Creativity is a fundamental dimension of human activity. It thrives where there is dialogue between cultures, in a free, open and diverse environment with social and gender equality. It requires respect and legal protection for the outcomes of creative and intellectual work. Creativity is at the heart of culture, design and innovation, but everyone has the right to utilise their creative talent. More than ever, Europe’s future depends on the imagination and creativity of its people.
The economic, environmental and social crises challenge us to find new ways of thinking and acting. Creativity and innovation can move society forward toward prosperity, but society needs to take responsibility for how they are used. Today, they must be mobilised in favour of a fair and green society, based upon intercultural dialogue and with respect for nature and for the health and well-being of people worldwide.
To create a more creative and innovative Europe, open to the rest of the world and respectful of human values, we present the following manifesto, which sets out our priorities and our recommendations for action. The need for change and a new initiative is urgent. Europe and its Member States must give full attention to creativity and innovation now in order to find a way out of the current stalemate.


Manifesto

1. Nurture creativity in a lifelong learning process where theory and practice go hand in hand.
2. Make schools and universities places where students and teachers engage in creative thinking
and learning by doing.
3. Transform workplaces into learning sites.
4. Promote a strong, independent and diverse cultural sector that can sustain intercultural dialogue.
5. Promote scientific research to understand the world, improve people’s lives and stimulate innovation.
6. Promote design processes, thinking and tools, understanding the needs, emotions, aspirations and abilities of users.
7. Support business innovation that contributes to prosperity and sustainability.


Lines of action

The following lines of action require a new understanding of public policy. The European Commission and national Governments need to engage in change together with social partners and grass-root movements. Shared visions and initiatives that cross traditional policy areas are needed in order to deal with current ecological, social, cultural, security and democratic deficits. Focusing upon creativity and innovation is a key to opening dialogues that cross historical political divides.

Action 1: Invest in knowledge
In order to strengthen the competitiveness of Europe, new budgetary principles that give high priority to investments in people and knowledge are necessary. In the short term, unemployed workers should be offered a chance to upgrade their skills. Business, trade unions and governments should work together in organising the upgrading of workers’ skills through public and private funding. The scale and ambition of the European Structural Funds must be expanded, be focused upon investment in research and knowledge and linked to building institutional frameworks that support learning in working life.
Action 2: Reinvent education
Schools and universities need to be reinvented in partnership with teachers and students so that education prepares people for the learning society. Retrain teachers and engage parents so that they can contribute to an education system that develops the necessary knowledge, skills and attitudes for intercultural dialogue, critical thinking, problem-solving and creative projects. Give a strong emphasis to design in education at different levels. Establish a major European-wide research and development effort on education to improve quality and creativity at all levels.

Action 3: Reward initiative
People that take new initiatives in business, the public sector and civic society should be rewarded. Social policies can contribute to innovation by sharing risks with citizens who engage in change. Artists, designers, scientists and entrepreneurs who contribute with new ideas should be rewarded. Prizes for excellence should be combined with legal protection of intellectual property rights and strike a balance between creating fair rewards and promoting knowledge-sharing.

Action 4: Sustain culture
Capacity-building in the cultural sector should be supported through national and European programmes and mechanisms in order to sustain cultural diversity, independence and intercultural dialogue. Creative industries should be promoted by building new bridges between art, philosophy, science and business. The development and use of new media should be stimulated through raising the quality of the content. New economic models must be developed to finance free, diverse, independent and high-quality digital news media.

Action 5: Promote innovation
There is a need for a more ambitious and broad-based innovation policy. Increased investment in science, technology and design should be combined with efforts to increase the demand for knowledge. Firms should be stimulated to combine scientific knowledge with experience-based knowledge. They should be encouraged to increase diversity among employees in terms of gender, education and nationality. The education of engineers, managers and designers should mix theoretical education with practical experience. Innovation policy as well as labour market and education policy should aim at mobilising users and employees in processes of change. Developing and implementing broad innovation policy strategies must be a major concern for political leaders.

Action 6: Think globally
Europe should be at the world-wide forefront in terms of science, culture and competitiveness. Collaboration within Europe in science, technology, education, design and culture needs to be further opened up to the rest of the world. A competitive Europe should develop economic collaboration both with the strong new emerging economies and with the poor countries most in need of support. Promoting innovation in poor countries is a moral obligation and it reduces the pressure of immigration. Europe should contribute to the establishment of fair rules regarding the protection and sharing of knowledge at the global level.

Action 7: Green the economy
Europe must mobilise creativity and innovation to transform itself into a post-carbon society. A key element is eco-innovation and the establishment of a ‘new techno- economic trajectory’ starting from ‘end of pipe’ solutions, moving through ‘clean technologies’ and ending with ‘system innovations’ that radically transform production, distribution and consumption. Investments need to be combined with new institutions, new regulation and new habits. Creativity is the major tool to find solutions that combine sustainability with prosperity.

12/17/2009

"Iluminar é preciso" - Exposição de alunos do IPCA


De 16 a 19 de Dezembro decorre no auditório do IPCA a exposição "Iluminar é preciso", que consiste numa série de projectos de candeeiros feitos por alunos de Design Industrial em colaboração com a iniciativa Design é Preciso.

12/16/2009

Blog Design Studio em gráfico

clicar aqui para acesso site de geração

Acessos Blog Router em gráfico

link aqui

Art Lebedev's Rozetkus 3D socket concept gives you five plugs where once there was on (see here)

DESIGN FACTORY


Welcome to Design Factory!

An interdisciplinary product design and learning hub. Uniting students, teachers, researchers and industry. Design Factory is an experimental platform of Aalto University, started in Autumn 2008. The Factory is a constantly developing physical, social and mental environment, aiming to support interdisciplinary and international co-operation between parties interested in design and development. Located in Otaniemi, the Design Factory building hosts a number of courses, research projects and start-up companies, as well as some short-term co-operation projects. You are welcome to join us. The best way to do so is to come and visit (see here)

Evolução Civitas Bus


12/14/2009

Mas quem foi que criou o mito sobre os velhos?

A revista do New York Times publicou um artigo sobre uma experiência levada a cabo por dois professores de economia sobre diferenças entre as capacidades de correr riscos, competitividade e cooperação de dois grupos diferentes de pessoas: um com participantes acima de 50 anos e outro com participantes abaixo dos 30.
Os resultados falam por si. Vamos lá ver se se acaba com estes "mitos urbanos".

Notícia:

"Myth of the Deficient Older Employee, The
Although workers who were 45 and older had lower unemployment rates in 2008 than younger workers, they stayed unemployed for longer periods, according to the Bureau of Labor Statistics. This is not surprising. Employers are often reluctant to hire older workers, not only because they have higher health care costs and sometimes command higher salaries but also because of their reputational stigma. Older workers are commonly thought of as being less productive and less willing to learn than younger workers, as well as overly cautious. But this year economists presented a more nuanced picture than the above stereotypes suggest.

In The American Economic Review in June, Gary Charness, an economics professor at the University of California, Santa Barbara, and Marie Claire Villeval, a colleague from the University of Lyon, published the results of a study in which they pitted "seniors" (those over 50) against "juniors" (those under 30) in three different decision-making tasks. These were formulated to test risk taking, competitiveness and cooperation.

As it turns out, the "seniors" more than hold their own. The seniors were also more cooperative, contributing more to their group during the cooperation test. The seniors outperformed the juniors on one competitive word game — and were only "very slightly less" competitive overall, Charness says. "Older workers," he stresses, "don't suffer from the deficiencies that a lot of people think they do."

Another welcome finding of the study came during the cooperation portion, when Charness and Villeval found that groups with a mix of ages outperformed homogeneous groups. For an optimum work force, Charness says, it is best to have a range of ages in the office. LIA MILLER"

12/03/2009

Pedro Carvalho Almeida

Sanjo: história de uma identidade

Designer português usa estudo de caso da marca Sanjo para investigação em doutoramento. Pedro Carvalho de Almeida quer ajudar a escrever a história da Sanjo, marca convertida em ícone cultural, como pode sobreviver em vez de sucumbir à actualidade. ver mais >>
O Designer Pedro Almeida dará uma aula aberta sobre Marcas aos alunos do Mestrado em Design Industrial sexta feira 4 Dez pelas 16:00 na sala B335.

icograda news

read more>>

Queensland launches initiative to boost business through design

Brisbane (Australia) - The Queensland Government has launched a $1.1 million initiative to encourage businesses to embrace the power of good design to gain a competitive edge.

Under the Ulysses program, successful Queensland designers will be linked with selected businesses to transform ideas into sought after products and services.

Treasurer and Minister for Employment and Economic Development Andrew Fraser said the new program, called Ulysses, was the cornerstone of the government's 2009-2010 creative industries program.

12/02/2009

A razão da minha menor actividade no blog...

Pois é; regressei ás origens! ou seja aos MACs e reactualizar tudo é demorado, mas vai indo!

Modelos de território do design

É gratificante verificar que o modelo que se propõem para os 2ºs e 3ºs ciclos de Design e Desenvolvimento de Produto na FEUP tem tantas semelhanças como modelo em que se baseia o renovado Stanford Institute of Design. Em pequena escala, sem grandes meios, pelos vistos pode chegar-se às mesmas conclusões que as mega estruturas com grandes meios, eh eh eh! Small is beautifull!







Design for Giving Contest 2009

Riverside School is thrilled to announce that the final round of judging has concluded for India's largest social change contest for schoolchildren. An international jury panel met to select 100 winning entries from more than 1,300 moving stories of change from around India. And what a fantastic journey this has been- a journey to discover what school children can do if they are empowered to be the change they want to see in this world!`

11/30/2009

Engineering, Social Justice and Peace

Está aberto até dia 1 de Fevereiro de 2010 o período para o envio de resumos para apresentação na conferência "Engineering, Social Justice and Peace" a realizar em Agosto de 2010 em Londres.
Descrição do evento retirada do site:

"The Engineering, Social Justice, and Peace (ESJP) network are delighted to announce their Sixth Annual International Conference, to be co-hosted with the Royal Society for the encouragement of Arts, Manufactures and Commerce (The RSA) in London from August 4th to 6th 2010 in collaboration with the Higher Education Academy Engineering Subject Centre and Engineers Against Poverty.

Abstracts for presentations are welcome which:

1. Critique of existing or past practices and presentation of just alternatives especially in relation to the engagement of engineers with the communities, which they serve.
2. Critique of or alternative forms of equitable engineering organization and management.
3. Examples of pedagogies, curriculum or community service learning which promote socially just engineering practice.
We also welcome newcomers and students who are interested and have not yet begun to work in this area. Introductory sessions will be designed with this group in mind.

The international interdisciplinary ESJP network formed in 2004 and has grown in its passion and mission to create a knowledge base, support network, scholarship, and educa­tion to promote the education of engineers who promote social justice and peace. The first five conferences have been held in North America and we are particularly pleased that this meeting will be the first in Europe where we hope to grow our network.

The RSA through their ‘Design and Society’ program, whose aims are very similar to our own, are excited to work with us and we are developing a two day meeting which will include papers, interactive discussions, creative workshops and the chance to network with RSA Fellows in an evening reception with an invited speaker.

When: From noon August 4th 2010 to 1pm August 6th 2010.

Where: The Royal Society for the encouragement of Arts, Manufactures and Commerce (The RSA) at 8 John Adam Street, London, which is close to Trafalgar Square, Leicester Square, Piccadilly Circus and next to the Thames. The closest tube stations are Charing Cross and Embankment.

Cost: £150

Accommodation: If you are on a budget, accommodations for as low at 26 pounds per night for a single can be found here. For accommodations closer to the conference venue albeit more expensive, check out the Strand Palace.

A list of other accommodations is available here.

Agenda: We are pleased to announce the call for papers at the present time. We would like to invite submissions of abstracts of between 100 and 200 words, to include a summary of the content of your paper and how this relates to the themes of the conference. It should also include a short statement of your proposed presentation style. We offer the following suggestions for styles. We will not have any formal lecture presentations. [Note this will not affect travel funding. Institutions who require a paper to be presented at the workshop do not impose presentation styles].

Short presentation (ten minutes max) followed by discussion around key questions (30 min in total)
Workshop (one hour)
Facilitated round table or panel discussion on key issues (30 min)
Any alternative interactive style of presentation such as forum theatre (one hour)
Deadline for abstracts Feb 1st 2010

Special issue International Journal Engineering, Social Justice and Peace (IJESJP): We are delighted to announce that we will launch the IJESJP with a special issue focused on the 2010 annual conference. We will invite full papers to be submitted one month after the conference.

Contact: For conference enquiries contact Caroline Baillie, Chair of Engineering Education at the University of Western Australia (caroline.baillie@uwa.edu.au). Please submit abstracts by email to Jens Kabo, the ESJP secretary at secretary@esjp.org."

Vencedoras do concurso "Liberdade de Movimentos"



A aluna Melissa Monteiro do curso de Design da Universidade Lusíada do Porto ganhou, com o projecto "Adapt" (imagem de cima), o concurso "Liberdade de Movimentos" da Roche para o desenvolvimento de vestuário para pessoas com artrite reumatóide.
O prémio do público foi para uma outra aluna da mesma universidade - Isabel Correia -, que apresentou o projecto "Lawless" (imagem de baixo).
Ambos os projectos foram desenvolvidos no âmbito da disciplina de Design do 1.º ano, leccionada pela designer Lígia Lopes.
Só e pena que não se consigam encontrar em parte alguma imagens mais detalhadas dos projectos. Ainda assim, damos os parabéns às alunas vencedoras e à professora que as orientou.

11/18/2009

"Happy Basin" - Purificador de água


Os designers Woo sik Kim e Duck soo Choi desenvolveram um novo dispositivo para filtrar água de modo a que fique potável e assim permita que seja bebida ou usada para higiene pessoal.
O "Happy Basin" fica pousado sobre a água e, ao ser empurrado para baixo, faz com que a água passe através dos filtros localizados no fundo do dispositivo. Ao passar pelos filtros a água tranforma-se em água potável que fica acumulada no contentor.

Via Medgadget

11/14/2009

Novos computadores


Chegaram finalmente os novos computadores para a Carla Rocha o Luis Carvalho! O Luis estava nas suas sete quintas a montá-los!

11/10/2009

New Aalto University in Finland - Where science and art meet technology and business



No dia 13 de Novembro, a sala B016 da FEUP irá acolher a palestra "New Aalto University in Finland - Where science and art meet technology and business", realizada por Tapio Yli-Viikari, vice-reitor da Escola de Design, da TaiK - Taideteollinen korkeakoulu - University of Art and Design Helsinki UIAH.


"New Aalto University in Finland - Where science and art meet technology and business"

"Architect and designer Alvar Aalto (1898 - 1976) has been the inspiration to new multidisciplinary institution of education and innovation in Finland.
Aalto University is a newly created university resulting from the merger of three Finnish universities the Helsinki School of Economics (founded 1911), the University of Art and Design (founded 1871) and the Helsinki University of Technology (founded 1849) all leading and renowned institutions in their respective fields and in their own right. Aalto University will begin operating in January 2010, and open up a new world of possibilities for multidisciplinary education and research.
The great challenges of our time are the issues of global economy and environment, and the need of a new culture of innovations create the conditions to launch this project. Aalto University is to be one of the leading institutions in the world in terms of research and education in its own specialised disciplines by 2020."

11/09/2009

"Design é Preciso"


Quem esteve no congresso e-design teve a fecilidade de ver a apresentação deste projecto que, tendo "parentes" noutros países, fazia falta em Portugal. A iniciativa , apoiada pelo Centro Português de Design, é da Filipa Pias, designer, e a entidade promotora é o ISEC.

A apresentação do projecto foi feita por esta designer e pela Isabel Jonet, presidente da Federação Portuguesa dos Bancos Alimentares contra a Fome e fundadora/presidente da direcção da Entrajuda. Para além de explicar a importância de um projecto deste tipo, a Isabel Jonet teve uma participação particularmente importante por contar, na primeira pessoa, como a sua visão do design e dos designers mudou. Foi preciso a Filipa Pias para mostrar à Isabel Jonet que o design não é "exclusivo", não é "fútil", não é sinónimo de objectos caríssimos para elites. Foi um óptimo testemunho e um óptimo trabalho da Filipa Pias. Design é preciso, assim como é preciso que sejamos todos um bocadinho Filipa Pias para mudar os pré-conceitos existentes sobre o design, o trabalho dos designers e o seu papel na sociedade.

"Design é Preciso" é uma rede social onde quem queira ajudar se pode inscrever como voluntário e desenvolver projectos cujos enunciados são lançados no site. Quem precisar de design[ers] põe o anúncio do projecto que precisa no site e os voluntários concorrem com ideias para resolverem os problemas apresentados.

Design é preciso e voluntários precisam-se.

Ver o site aqui.

11/04/2009

Cooperação com os Palops


A UA tem feito um continuado esforço no desenvolvimento de ligações com os Palop tanto ao nível de projectos de investigação como ao nível de acolhimento de mestrandos e doutorandos envolvidos «no desenvolvimento de temas relevantes para as respectivas populações.

Paragens sobreelevadas em Curitiba

Paragens sobreelevadas em Curitiba

Disabled Gear



O Guy Harris reparou nos problemas que muitas pessoas têm em comprar ajudas técnicas/produtos de apoio por causa dos preços a que são vendidos. Imaginou então que seria uma boa ideia ter um site onde se pudessem comprar e vender ajudas téncicas em segunda mão.
Para além desta boa ideia, o Guy Harris teve uma outra. Qualquer pessoa que tenha contacto com outras pessoas com deficiências e incapacidades sabe que estas pessoas criam muitas vezes as suas próprias ajudas técnicas e métodos para superar dificuldades do dia-a-dia. Por isso, o site tem uma secção chamada "Thinking outside the box", destinada a que os utilizadores do site partilhem as suas ideias. Infelizmente esta secção ainda não tem nenhuma contrbuição, mas talvez com o tempo mais pessoas fiquem a saber deste site e ponham por escrito (e em imagem) as suas ideias.
Ver o site aqui.

(via Enabled by Design)

11/03/2009

How does the brain create meaning

"Spent" looks at why, when scientific research shows that more stuff doesn’t lead to more happiness, humans are driven to endlessly acquire

Why do some people pay a 100,000 percent premium for a Rolex when a Timex is such a sleek and efficient timepiece? Why do others kill themselves at work just so they can get there in a Lexus? Why do we pay 1,000 times more for designer bottles of water when the stuff that gushes from our taps is safer (because it’s more regulated), often tastier, and better for the planet? And how do we convince ourselves that more stuff equals more happiness, when all the research shows that it doesn’t?

See at SEED here

11/02/2009

UMEA INSTITUTE OF DESIGN

EXPERIENTIA

Communication design, interaction design, industrial design, information architecture

“Design predicts the future when it anticipates experience…”
—Augusto Morello (2000)

“Design is the conception and planning of the artificial, that broad domain of human made products which includes: material objects, visual and verbal communications, organised activities and services, and complex systems and environments for living, working, playing and learning.”
—Victor Margolin & Richard Buchanan (1995)
* * * * *

Many definitions of design exist, revealing different strengths and weaknesses. Generally speaking, design is about solving problems or creating solutions in an ill-defined problem space.

Here we focus on practice-based definitions as many experience design practitioners come from diverse practices and disciplines.

(Link here)

Human Centered Design Toolkit, by IDEO



A IDEO, empresa de consultores em design, tem disponível para download gratuito no seu blog uma ferramenta para uso em investigação recorrendo aos metodos usados na abordagem user-centered. Para além de muitíssimo útil é um documento bem projectado e de uso intuitivo.
Bom design e boas intenções.
Fazer download aqui.

11/01/2009

Google Translate

Foi disponibilizada uma nova ferramenta nos blogs do BLOG ROUTER FEUP. Na coluna da direita ao picar no topo "Google Translate" todos os conteúdos aparecerão em tradução automática para a língua inglesa. Sabemos que esta funcionalidade é ainda muito deficiente mas apesar de tudo é uma ajuda para a divulgação internacional dos conteúdos.

Google Translate

Foi disponibilizada uma nova ferramenta nos blogs do BLOG ROUTER FEUP. Na coluna da direita ao picar no topo "Google Translate" todos os conteúdos aparecerão em tradução automática para a língua inglesa. Sabemos que esta funcionalidade é ainda muito deficiente mas apesar de tudo é uma ajuda para a divulgação internacional dos conteúdos.

Google translate

Foi disponibilizada uma nova ferramenta nos blogs do BLOG ROUTER FEUP. Na coluna da direita ao picar no topo "Google Translate" todos os conteúdos aparecerão em tradução automática para a língua inglesa. Sabemos que esta funcionalidade é ainda muito deficiente mas apesar de tudo é uma ajuda para a divulgação internacional dos conteúdos.

5 de Novembro FEUP, às 15:30

A Engenharia para Desenvolvimento e Assistência Humanitária (EpDAH) está a preparar para o dia 5 de Novembro, uma sessão de apresentação do Núcleo do Porto e dos seus projectos de voluntariado nacionais e internacionais. Esta actividade terá lugar na sala B008 da FEUP, às 15:30.

A EpDAH (Engenharia para o Desenvolvimento e Assistência Humanitária - Associação para a Cooperação) é uma instituição portuguesa sem fins lucrativos, constituída com o apoio da Ordem dos Engenheiros, que visa promover acções conducentes à sustentabilidade da exploração dos recursos naturais, à equidade e dignidade social e à preservação da identidade cultural dos povos, articulando o exercício dos diferentes ramos da Engenharia em prol da cooperação e da assistência humanitária, em contextos desfavorecidos e em situações de emergência.

Contacto do Núcleo do Porto:
E-mail: cesar.aguia@epdah.pt
Tlm: 938279291

10/31/2009

Ponto de situação



Começa a perceber-se que será necessário considerar um sistema de forro para o interior...

10/30/2009

Prémio Universal Design 2010 | Universal Design 2010 Award


As inscrições para o prémio "universal design 2010" estão abertas até dia 22 de Dezembro de 2009. Todos os profissionais relacionados com design de produto, design gráfico, produção, design de serviços ou prestação de serviços, arquitectos e designers de interiores pordem participar.
Mais informação sobre como entrar na competição neste link:
http://www.ud-germany.de/cms/ud/en/universal_design_award_2010/the_award


-----


Registration is now open for those who wish to enter the universal design 2010 competition. All product designers, graphic designers, manufacturers, service providers and service designers, architects and interior designers are welcome to participate with their work.
You can get more information by assessing the following link:
http://www.ud-germany.de/cms/ud/en/universal_design_award_2010/the_award

10/29/2009

Miguel Neiva













Aqui fica o convite para assistir ao Open Talk sobre o projecto colorAdd - sistema de identificação de cores para daltónicos.

Para além de fazer uma apresentação do projecto ColorAdd e de todos os recentes desenvolvimentos tendo em vista a sua implementação, terei o prazer de ter na mesa um Daltónico que nos contará na primeira pessoa como se adaptou com o facto de não conseguir visualizar correctamente as cores, que dificuldades encontra no seu dia-a-dia e como encara as vantagens de aplicação deste projecto.
O Open Talk será no proximo dia 05 de Novembro, às 19h15 no Lounging Space da Experimenta Design, Palacio de Braancamp, Patio do tijolo, 25 em Lisboa.

Estou certo que será muito interessante. cumprimentos
miguel neiva

Experiências de Consumo


Estudos de caso no interior da Classe Média
Alice Duarte
U.Porto editorial, 2009

Localizada na área da Antropologia do Consumo, a presente obra visa contribuir para uma compreensão abrangente dos fundamentos familiares e pessoais da procura do consumo, elucidando sobre a sua utilização enquanto meio de expressão e comunicação de identidades familiares e pessoais. O processo de consumo é aqui analisado enquanto prática cultural capaz de transmutar as mercadorias produzidas em massa em bens singulares detentores de propriedades significativas particulares. Concretizando um dispositivo metodológico qualitativo que articulou entrevistas em profundidade e etnografia, a investigação concretizou-se sobre um universo de estudo composto por 24 famílias, pertencentes às “novas classes médias” e residentes na cidade do Porto e áreas adjacentes num raio de 50 quilómetros.

(see here)

10/24/2009

Palestra dia 28 de Outubro 2009 às 14:30 no anfiteatro B008

Applied Semantics – An hybrid perspective on meaning
Alessandro Oltramari

Institute of Cognitive Science and Technologies (ISTC-CNR),
Laboratory for Applied Ontology (LOA), Trento & Department of Management and Engineering (University of Padua), Vicenza.

Abstract:
In this talk I illustrate a foundational and applicative framework where cognitive semantics and formal semantics can actually converge in the task of modeling ‘knowledge contents’. The main aim of this approach is to enhance tools and solutions provided by “knowledge technologies”. I will introduce the notion ofCognitive Matrix as “the network of static and dynamic structures underlying cognition”:
Cognitive Matrix supplies a nested structure to the flow of information that starts from the environment and, passing through the private mental layer of agents, ends in linguistic forms. Machine- understandability of knowledge strongly depends on the creation of computational models of the world, so-called "ontologies"; nevertheless, ontologies cannot capture the dynamic aspects of meaning construction. The goal of this seminar is to present an hybrid perspective on meaning, both on the side of theoretical foundations and technological solutions.

Challenging the Curriculum

CLTAD's 5th International Conference.
Call for papers
Date posted: 14/08/2009

Announcing the cltad 5th international conference:Challenging the curriculum: exploring the discipline boundaries in art, design and media
12 & 13 April 2010, Novatel, Tiergarten, Berlin.

“Creativity is possible in all areas of human activity, including the arts, sciences, at work, at play and in all other areas of daily life. All people have creative abilities and we all have them differently. When individuals find their creative strengths, it can have an enormous impact on self-esteem and on overall achievement.”
- Robinson, K. et al (1999) All our futures: Creativity, Culture and Education, Report to the National Advisory Committee on Creative and Cultural Education

The 2010 cltad international conference will focus on curriculum design in art and design Higher Education meeting the challenges of changing times and demands. As old discipline structures are eroded, new liaisons are emerging. On one hand, art and design reach out and connect with other disciplines, influencing all aspects of society and how we live. On the other hand, creativity, which we have perhaps regarded as the prerogative of art and design, is increasingly being recognised as significant and central in every discipline. Building on the 2008 conference the organisers want to explore where boundaries to disciplinary uniqueness are becoming blurred and where collaborations between the disciplines are being built, sometimes by intent and occasionally by chance

Challenging the Curriculum


CLTAD's 5th International Conference.
Call for papers
Date posted: 14/08/2009

Announcing the cltad 5th international conference:Challenging the curriculum: exploring the discipline boundaries in art, design and media
12 & 13 April 2010, Novatel, Tiergarten, Berlin.

“Creativity is possible in all areas of human activity, including the arts, sciences, at work, at play and in all other areas of daily life. All people have creative abilities and we all have them differently. When individuals find their creative strengths, it can have an enormous impact on self-esteem and on overall achievement.”
- Robinson, K. et al (1999) All our futures: Creativity, Culture and Education, Report to the National Advisory Committee on Creative and Cultural Education

The 2010 cltad international conference will focus on curriculum design in art and design Higher Education meeting the challenges of changing times and demands. As old discipline structures are eroded, new liaisons are emerging. On one hand, art and design reach out and connect with other disciplines, influencing all aspects of society and how we live. On the other hand, creativity, which we have perhaps regarded as the prerogative of art and design, is increasingly being recognised as significant and central in every discipline. Building on the 2008 conference the organisers want to explore where boundaries to disciplinary uniqueness are becoming blurred and where collaborations between the disciplines are being built, sometimes by intent and occasionally by chance

Design Connexity


Dear All,

The EAD 09 conference, Design Connexity, website has now been archived and can be found at:(www.EAD09.org.uk). The site contains downloadable pdfs of all the referred papers and videos of the keynote speakers’ presentations and other conference related information.

Kind regards,
Nicky Sarjent
Imagination Coordinator
Editorial Assistant - Design Journal
ImaginationLancaster (LICA)
The Roundhouse
Lancaster University
Lancaster
LA1 4YW


Welcome to the website of Design Connexity (here), the European Academy of Design’s 8th International Conference.
The Design Connexity conference took place on 1st, 2nd and 3rd April 2009 and was hosted by The Robert Gordon University, Aberdeen, Scotland.
The conference was attended by over 140 delegates from over 25 countries from around the world.
This website contains an archive of the conference; including the call for papers detailing the conference themes, downloadable refereed conference papers, videos of the keynote speakers and a gallery of images taken during the event.
The next European Academy of Design conference will take place in Porto, Portugal in spring 2011.

10/22/2009

Design & Emotion Society




About the Design & Emotion Society

Our mission: the Design & Emotion society raises issues and facilitates dialogue among practitioners, researchers, and industry, in order to integrate salient themes of emotional experience into the design profession.
What we are

The Design & Emotion society is established in 1999 as an international network of researchers, designers and companies sharing an interest in experience driven design. The network is used to exchange insights, research, tools and methods that support the involvement of emotional experience in product design. The daily board is based in The Netherlands.

Although the initiative originated from the discipline of product design and design research, through the years practitioners from other design disciplines such as interaction design and branding design, contributed and benefited from the network and activities.
What we do

The activities organised by the society offer a platform where professionals meet. Besides occasional initiatives, we organise the biannual International Conference on Design & Emotion as well as Design & Emotion workshops.
Why we do it

In the years before the first Conference on Design and Emotion (Delft, 1999), the founders of the society experienced a growing interest in the topic. They also observed however, that although many people in several disciplines were actively studying the possibility of involving users’ emotions in the design process, these initiatives were often isolated from each other. As the founders believed that the various parties would strongly benefit from learning about their mutual approaches, they decided to invite the pioneers in the emerging field to join them for the first Conference on Design & Emotion.

Today, after a series of successful conferences we observe a world wide acknowledgement of the significance of the area of design and emotion. Different sub movements arise and critical reflections to experience driven design emerge. We acclaim this lively course and willingly accept the challenge to guide and stimulate the ongoing dialogue.

4º Seminário anual do GAM

O GAM – Grupo para a Acessibilidade nos Museus realiza no dia 26 de Outubro, no Auditório do Museu do Oriente, o seu 4º Seminário Anual, intitulado “Para que lado é que vamos agora? – Sinalização acessível”.
O seminário destina-se a profissionais de museus, designers e profissionais da área das necessidades especiais e pretende analisar e discutir, pela primeira vez no meio museal, o desenvolvimento de sinalização acessível, atendendo as necessidades do público em geral e do público com necessidades especiais em particular. A participação é gratuita. (ver aqui)

10/20/2009

Cadeiras de rodas | Wheelchairs



Poderia ser a “história de”, “um estudo de”, mas são só alguns “exemplos de” cadeiras de rodas que a designboom decidiu agrupar e mostrar. Mesmo assim, é sempre bom dar uma espreitadela:
http://www.designboom.com/weblog/cat/8/view/7753/wheelchairs-design.html


-----


It could be the history of—, a study on–, but these are just a few examples of– wheelchairs, which designboom decided to group and show. Even so, it’s always nice to take a peak:
http://www.designboom.com/weblog/cat/8/view/7753/wheelchairs-design.html

10/15/2009

DESIGN REVOLUTION


100 Products That Are Changing People's Lives

A Ana Correia de Barros já tinha referenciado aqui no blog. aqui fica outra edição do mesmo livro.

Design-Driven INNOVATION


Changing the Rules of Competition by Radically Innovation What Things MEAN