2/05/2010

Formação Catia V5

Os colaboradores do Design Studio FEUP terminara hoje a primeira semana de formação em Catia V5 software que passará a ser a base da nossa modelação tridimensional CAD

Processos de manufactura no Vietname


A Core 77 apresenta uma reportagem fotográfica de Brit Leissler sobre processos de manufactura no Vietname. A reportagem está aqui e as fotografias podem ser vistas com mais detalhe aqui.

Mais coisas do baú...


Depois das antigas ajudas técnicas, uma imagem de um martelo adaptado com uma pega "easy grip". Esta fotografia data da Primeira Guerra Mundial e faz parte do arquivo do Walter Reed General Hospital. Outras imagens podem ser vistas aqui.

Low-tech.

1/31/2010

Disabled Access Design Guide


(link) The way that buildings are designed has an impact on disabled people, elderly people and parents with children. Their access requirements should be incorporated into how we shape our environment. We can all benefit from a more easily accessible built environment, accessible design is invariably good design for all.
Designing for Accessibility in Bracknell Forest has been produced to give guidance to those who are planning, designing and implementing how we shape the built environment and details the standards of accessibility that should be achieved in all development in the Borough. Please use the link on the right-hand side of this page to look at the guidance. (pdf here)

1/29/2010

"Disability is the inability to accomodate to the world as it is designed"

(Caplan, in "Disabled by Design", Interior Design, 1992)

1/26/2010

New FEUP Product Design and Development MSc and PhD Programs

Product Design and Development  (Project Based Learning)

Introduction

Product Design and Development (PDD) maintains and conditions the competitiveness of industrial activity related to goods production, which is everyday more global and more dependent on the fast integration capacity of continual scientific and technological development.

When FEUP decided to study the possibility of creation of new MSc and PhD degrees in Product Design and Development following a model of Project-Based Learning, it has been carried out a double study of the market comprising the analysis of:
a) Design programmes in Portugal in first, second and third cycles (Bologna) and
b) UP offer in the spectrum of Fine Arts - Design - Engineering, coordinated by FBAUP and FEUP.

This survey showed very clearly the nonexistence of an updated approach to PDD at third cycle level, as well as an inadequate approach to it of the second cycle level offer, mainly if we consider the most recent theoretical developments in scientific areas of Design, Engineering and Management, which emphasise the need of very interdisciplinary approaches.

This overall picture pointed out the necessity of strengthening the UP offer of post-graduate education in Design, with programmes capable of attracting national and foreign students who have had basic training in other institutions[1], as well as professionals seeking for high level qualification.

One of the approaches to reach this objective is the consideration of present greater ease of mobility of students and teachers, more than ever in Europe, mainly supported by Erasmus program, providing us with the opportunity to consider international partnerships with other institutions of proven experience in some critical areas of the curriculum.  We will capitalize on this to grant our offer real scientific excellence on a broad range of matters.


FEUP approach to PDD

Nowadays, PDD requires a strong capacity for cooperation between Management, Design and Engineering. In many cases, it also requires the need to coordinate research and development in universities, institutes and technological centres with company business dynamics and strategies, within national or international highly qualified teams.

FEUP has a consolidated activity of project development and connection to industrial field, as well as expertise in some the scientific areas involved, particularly in undergraduate, master and doctoral degrees in Mechanical Engineering, Management and Industrial Design. In addition, FEUP maintains deep collaboration with Technological Institutes on the Campus, such as IDMEC, INEGI and INESC, making easier to establish join initiatives.

The experience accumulated over a decade of operation of the Master Degree in Industrial Design (public/private model), and the three years association with the program EDAM MIT Portugal (where partnerships with IST and University of Minho, in addition to links to the Department of Systems Engineering of MIT, have been strengthened) is now important to the new approach.

We must also consider that the establishment of the DESIGN Studio FEUP as a transversal infrastructure to support "Project-Based Learning” (PBL) initiatives allowed FEUP to build unique conditions to be a leader institution in this area of education in Portugal, being able to offer the market an integrated and structured sequence of post graduate studies in PDD.

The existence of several research units with an international rating of Very Good and Excellent (FCT standards) and the participation of researchers from FEUP in id+ (Research Unit on Design, Media and Culture, a joint initiative of the University of Porto and the University of Aveiro, which focuses its activity in reducing the symbolic deficit of Portuguese products, systems or services) under a logic of sustainability and user enhancement, are also important factors for theoretical foundation, support of the curriculum structure and doctoral ability to supervise dissertations in the future.

FEUP extensively based its MSc and PhD Product Design and Development proposal on prior teaching experience and applied research led by faculty members[2], who have been involved in several design courses over the past ten years (from public secondary school programmes, to University and Polytechnic BSc and MSc), making possible to identify some of the more important factors to guarantee the success of professional outcomes and student engagement in this project.

According to University of Porto recommendations, Master and Doctoral Programs shall, whenever possible, start full-running only after a one-year trial edition in the form of Specialization Course and Course of Advanced Studies, respectively.

Following these directives, the Specialization Course and the Course of Advanced Studies in PDD (PBL) have already been accredited by the Rectory of the University of Porto, and will start running in September 2010 for the academic year 2010-2011.

After the necessary accreditation from the agency A3ES (which will be meanwhile requested), it is expected that the programmes could become Master and Doctoral Program in the academic year 2011-2012.  Students who enrol in 2010 will be able to simply continue their Master or Doctoral Degree by getting equivalences of the Courses already finished, without any delay.


Product Design and Development (Project Based Learning) MSc and PhD

The programmatic base supporting these MSc and PhD in PDD is the practical evidence that Product Development is a cooperative activity located at the intersection of three cultures: Engineering, Design and Management. These scientific areas deal with the three main goals that any product seeks: Viability (economic viability), Feasibility (materialization potential) and Desirability (attractiveness).









These three vectors are nothing more than an expression of the response to the needs of human values supporting their use, business demands and technology constraints.As a matter of fact we do believe that, Engineers, Managers and Designers contribute to ensure the product “values” and each of them cares for different ones. Engineers challenge Feasibility and Performance; Managers seek for Economical Viability and Profitability and Designers for Usability and Meaning.
Moreover, the approach that FEUP aims to implement is based also on a particular humanistic view of Product Design, that we call "enginium design", which can be characterized by the intersection of four guiding values: Primacy of the User, Cooperative Development, Appropriate Technology and Local Scale Sustainability.

We must also emphasise that both MSc and PhD programmes follow Project-Based Learning methods, with a very flexible modular structure, where the Central leading course is Project and the other ones are articulated around it, assuming, whenever possible, joint evaluations based on practical results.






Master in Product Design and Development (MSc PDD)

The
first year of the program (with a total of 60 ECTS) will be divided in two semesters. The first semester will be dedicated to the contextualization of Product Design and Development practice and project and the second semester will be marked by the introduction of a course about research in PDD [Research Approaching], each one with 3 ECTS.

The remaining 54 ECTS correspond to the main core of the students work under a Project Based Learning system. In each semester the courses dealing with Management, Design and Engineering will converge in a unified Project Development course integrating the practical application of information from the three scientific areas.

In the first semester, Project Pack I will give the fundamental knowledge about cooperative project and will be coordinated with the courses: From Market to Design [Management], Usability [Design] and Materials and Processes (Engineering].

In the second semester, Project Pack II will consolidate the project approach, addressing research and subjects of greater complexity and extension. It will be coordinated with the courses: From Design to Business [Management], Product Detail Design [Design] and Digital 3D [Engineering].

Projects in Project Pack I and Project Pack II will be of three types: short (1 to 2 weeks), medium (3 to 4 weeks) and long projects (more than 5 weeks), chaining themselves and overlapping in order to prepare the students for hard project time management, providing him with important skills for their future professional life.

The assessment, which takes 6 out of 20 weeks per semester (leaving 14 weeks for teaching) will be disseminated depending on ongoing projects and will allow, via planned interruption of classes, proper and deeper preparation of requested submissions.

The second year will be dedicated to a more extended overview of higher-level aspects of Product Design Development (3rd Semester), and to drafting and developing the grade dissertation (4th Semester).

On third semester, students must choose one from three different specializations:

The first one - Product Design (typically for students with a background in Design) is intended to prepare the students to work as “designers” on product concept development aspects of the cooperative multidisciplinary tasks in a new product development.

The second one - Product Development (typically for students with a background in Engineering) is intended to prepare the students to work as “engineers” on product technical development aspects of the cooperative multidisciplinary tasks in a new product development.

The third one - Design Development (for any of the backgrounds) is somewhat different from the previous and intends to deal with aspects of design and development less dependent of market and business and more aimed at human development strategies particular low ecological impact solutions or international aid situations and cooperation programs with humanitarian NGOs. This branch is also a national opportunity due to the need of Portuguese help in some Africa and East countries (Mozambique , Timor, etc)

Different courses will be offered for each one:
Product Design courses: [Product Semantics] and [Ergonomics and Interface];
Product Development courses: [Systematic Methods for Product Development] and [Product Validation]
Design and Development courses [Appropriate Technology] and [Local Development].

A third course [Sustainability] will be common to the three branches. At the same time students will begin to prepare the MSc dissertation, task to which will be assigned a weight of 12 ECTS under the Course Graduation Project.

We hope that the possibility of establishing partnerships with three international schools will be a fundamental approach to strength the second year Syllabus and to give particular “identity” to above described 3 branches. Classes are expected to take place mainly at Design Studio FEUP and may have the participation of visiting teachers from cooperating institutions. A strong cooperation with industry is foreseen.

 [Note: The students who choose the mobility model among participating Universities should follow abroad, at this third Semester, a study plan agreed between the host institution, the candidate and the director of the master degree, consisting of total 30 ECTS - 18 obtained by course attendance, the remaining 12 being dedicated to dissertation planning or project preparation].

On fourth semester the students will devote themselves exclusively to prepare the dissertation, corresponding to the remaining 30 ECTS of the curriculum.

The Master thesis, typically developed at FEUP and whenever possible with a external partner (company, industry, NGO, etc), can be oriented (and/or co-oriented) either by teachers from FEUP or from one partner University, particularly in the case of students who had been abroad on a mobility program and have started their work there.





Doctoral Program in Product Design and Development (PhD PDD)

The Doctoral Program in PDD is based on the same conceptual cooperative basis that has been proposed to second cycle training: the need to understand and practice a cooperative approach between Design, Engineer and Management.

On the other hand, the Doctoral Program in PDD will also have a strong research and Project Development component connected to society and will aim to create and spread new knowledge and good practices for companies.

Ideally, all the Program attendants must already have or establish during the first year a link with a company that is faced with a specific Product Design and Development problem and will therefore engage and participate on the research / development process.

The project / dissertation, as in all PhD studies, naturally occupies a key part of the Doctoral Programme syllabus.

During the first and second semesters the students will attend two courses aiming the enhancement of research skills: Research Project (part I: 9 and part II: 12 ECTS), and during the second semester, a course on Research Methodology (6 ECTS). Those courses are intended to help students to prepare and launch the draft of their thesis to be developed full time during the following two years (third, fourth, fifth and sixth semesters, total of 120 ECTS).





The remaining 30 ECTS, to complete the 180 needed to obtain the grade after Bologna, will be distributed by three thematic optional courses in first semester and two free optional courses in the second semester.

The three optional courses (first semester) have to be chosen from pre-defined sets dealing with Management, Design and Engineering (one of each group) and aim to enhance students' knowledge in these 3 main areas, reinforcing the cooperative central approach that is the basis of this program.
 [Students with prior scientific training in one of these areas will be given a special curriculum with two courses in one of the two other areas]

The two optional free courses (second semester) will be chosen from the list of courses offered by the University of Porto and aim to provide specific additional knowledge for the development of each student the ongoing project.

In the case of candidates who enrol the Doctoral Program without having the Master PDD, it is strongly suggested that the suitable optional topics is chosen from the Master in PDD curriculum; providing a consistent body of knowledge for the remaining training.
Also for this purpose, the generic introductory course Product Design Development (3 ECTS, also common to the Master in PDD curriculum) is included in the first semester.

The choice of optional topics depends on the interests of the student, as well as on the support and approval of the Doctoral Program advisory board - prior experience of the candidate and prospects for research and industry links that the theme of the thesis might embrace will be taken in account.

To emphasize the cooperative spirit that characterizes this Program, a special effort will be made to incorporate representatives of partner Universities (to be defined) in the board of doctorates dealing with thesis proposal evaluation.

Given the possibility of classes taught by foreign teachers, the mastery of this language is essential to their attendance. To facilitate exchange, allow the presence of foreign students, and permit the choice of supervisors or co-supervisors of master's and doctoral thesis coming from other universities, it is accepted that thesis could be done in Portuguese or in English.



1/14/2010

Creditação pela UP de novos cursos de iniciativa Design Studio FEUP


Informamos que o curso Especialização Design e Desenvolvimento de Produto (60 ECTS) e Estudos Avançados em Design e Desenvolvimento de Produto (60 ECTS) foram creditados, em 11/01/2010 e 12/01/2010, respectivamente, pelo Senhor Reitor.

Com os melhores cumprimentos,
Águeda Gonçalves
Divisão de Pós Graduação e Educação Contínua da Universidade do Porto

1/11/2010

Fernando Nobre na Reitoria - 14 Jan 21:30


Tem uma visão multicultural de cidadania e um contributo para dar enriquecido por longos anos de assistência médica humanitária. Nasceu em África (Luanda) e treze anos depois foi para o Congo. No total passou 16 anos em África, depois foi estudar para a Bélgica, onde viveu outros 20 anos. Só veio para Portugal em 1985.

É Doutor em Medicina pela Universidade Livre de Bruxelas, onde foi Assistente (Anatomia e Embriologia), especialista em Cirurgia Geral e Urologia e participou como cirurgião em mais de duzentas missões de assistência médica humanitária em mais de setenta países de todos os continentes. Foi administrador dos Médicos Sem Fronteiras - Bélgica e fundou, em Portugal, a AMI – Assistência Médica Internacional, à qual ainda preside.

Considera que "as duas doenças mais graves do mundo são a intolerância e a indiferença". É com esta experiência na bagagem Tem uma visão multicultural de cidadania e um contributo para dar enriquecido por longos anos de assistência médica humanitária. Nasceu em África (Luanda) e treze anos depois foi para o Congo. No total passou 16 anos em África, depois foi estudar para a Bélgica, onde viveu outros 20 anos. Só veio para Portugal em 1985.
É Doutor em Medicina pela Universidade Livre de Bruxelas, onde foi Assistente (Anatomia e Embriologia), especialista em Cirurgia Geral e Urologia e participou como cirurgião em mais de duzentas missões de assistência médica humanitária em mais de setenta países de todos os continentes. Foi administrador dos Médicos Sem Fronteiras - Bélgica e fundou, em Portugal, a AMI – Assistência Médica Internacional, à qual ainda preside.

Considera que "as duas doenças mais graves do mundo são a intolerância e a indiferença". É com esta experiência na bagagem que Fernando Nobre vem à Reitoria da U.Porto falar sobre Ciência e Cidadania. Ao seu lado terá alguém com um percurso de vida marcado por momentos conturbados da nossa história ainda recente. Foi ministro do Ultramar durante o período da guerra colonial, entre 1961-1963. Criou os Estudos Gerais Universitários de Lourenço Marques (Maputo) e Luanda. Licenciado em Direito pela Universidade de Lisboa em 1944, ingressou no corpo docente da Escola Superior Colonial, que transformou no actual Instituto Superior de Ciências Sociais e Políticas da Universidade Técnica de Lisboa. Adriano Moreira foi deputado desde 1979, presidente do CDS entre 1986 e 1988 e Vice-Presidente da Assembleia da República entre 1991-1995. Depois deixou a vida política. Possui uma vasta obra sobre política, direito e conjuntura portuguesa. Presente na mesa estará também Rui Marrana. É docente da Universidade Lusíada do Porto e tem textos publicados sobre os principais conflitos, crimes e abusos dos direitos humanos.

Esta conversa sobre cidadania e ciência acontece no Salão Nobre da Reitoria da U.Porto, no próximo dia 14 de Janeiro, quando forem nove e meia da noite. Insere-se nos "Diálogos com a Ciência", um ciclo de debates que pretende cruzar ciência com um leque variado de áreas do conhecimento. Começou em Outubro do ano passado e irá prolongar-se até 18 do próximo mês de Março.r

Guia de Acessibilidades

Documentação para ser descarregada a partir daqui.

12/24/2009

Avanço do pilar sobre a cava da roda


Degrau para saída de emergência


President Barroso received the Manifesto for creativity and Innovation in Europe

The "Manifesto for Creativity and Innovation in Europe" is one of the key outcomes of the European Year of Creativity and Innovation 2009.

How can Europe be at the forefront of the new, globalised, intensely competitive and knowledge-based world of the 21st century? How can the creative and innovative potential of Europe be better used in education, research, culture, design, business and the workplace? How can public policy at the European and national levels foster creativity and innovation in these fields?

Through 7 priorities and 7 lines of action, the Manifesto brings a powerful impetus for change. It will help shape the European Union's vision of the role of creativity and innovation and feed into the Union's strategy for the decade 2010-2020.

Official website of the European Year of Creativity and Innovation 2009: www.create2009.europa.eu



The world is moving to a new rhythm. To be at the forefront of this new world, Europe needs to become more creative and innovative. To be creative means to imagine something that didn’t exist before and to look for new solutions and forms.
To be innovative means to introduce change in society and in the economy. Design activities transform ideas into value and link creativity to innovation.
In order to progress, Europe needs increased investment – both private and public – in knowledge.
Moving ahead with wisdom requires respect for history and the cultural heritage. New knowledge builds upon historical knowledge, and most innovations are new combinations of what is already there.
Culture, with its respect for individual and collective memory, is important to maintaining a sense of direction in the current context of restless change.
Creativity is a fundamental dimension of human activity. It thrives where there is dialogue between cultures, in a free, open and diverse environment with social and gender equality. It requires respect and legal protection for the outcomes of creative and intellectual work. Creativity is at the heart of culture, design and innovation, but everyone has the right to utilise their creative talent. More than ever, Europe’s future depends on the imagination and creativity of its people.
The economic, environmental and social crises challenge us to find new ways of thinking and acting. Creativity and innovation can move society forward toward prosperity, but society needs to take responsibility for how they are used. Today, they must be mobilised in favour of a fair and green society, based upon intercultural dialogue and with respect for nature and for the health and well-being of people worldwide.
To create a more creative and innovative Europe, open to the rest of the world and respectful of human values, we present the following manifesto, which sets out our priorities and our recommendations for action. The need for change and a new initiative is urgent. Europe and its Member States must give full attention to creativity and innovation now in order to find a way out of the current stalemate.


Manifesto

1. Nurture creativity in a lifelong learning process where theory and practice go hand in hand.
2. Make schools and universities places where students and teachers engage in creative thinking
and learning by doing.
3. Transform workplaces into learning sites.
4. Promote a strong, independent and diverse cultural sector that can sustain intercultural dialogue.
5. Promote scientific research to understand the world, improve people’s lives and stimulate innovation.
6. Promote design processes, thinking and tools, understanding the needs, emotions, aspirations and abilities of users.
7. Support business innovation that contributes to prosperity and sustainability.


Lines of action

The following lines of action require a new understanding of public policy. The European Commission and national Governments need to engage in change together with social partners and grass-root movements. Shared visions and initiatives that cross traditional policy areas are needed in order to deal with current ecological, social, cultural, security and democratic deficits. Focusing upon creativity and innovation is a key to opening dialogues that cross historical political divides.

Action 1: Invest in knowledge
In order to strengthen the competitiveness of Europe, new budgetary principles that give high priority to investments in people and knowledge are necessary. In the short term, unemployed workers should be offered a chance to upgrade their skills. Business, trade unions and governments should work together in organising the upgrading of workers’ skills through public and private funding. The scale and ambition of the European Structural Funds must be expanded, be focused upon investment in research and knowledge and linked to building institutional frameworks that support learning in working life.
Action 2: Reinvent education
Schools and universities need to be reinvented in partnership with teachers and students so that education prepares people for the learning society. Retrain teachers and engage parents so that they can contribute to an education system that develops the necessary knowledge, skills and attitudes for intercultural dialogue, critical thinking, problem-solving and creative projects. Give a strong emphasis to design in education at different levels. Establish a major European-wide research and development effort on education to improve quality and creativity at all levels.

Action 3: Reward initiative
People that take new initiatives in business, the public sector and civic society should be rewarded. Social policies can contribute to innovation by sharing risks with citizens who engage in change. Artists, designers, scientists and entrepreneurs who contribute with new ideas should be rewarded. Prizes for excellence should be combined with legal protection of intellectual property rights and strike a balance between creating fair rewards and promoting knowledge-sharing.

Action 4: Sustain culture
Capacity-building in the cultural sector should be supported through national and European programmes and mechanisms in order to sustain cultural diversity, independence and intercultural dialogue. Creative industries should be promoted by building new bridges between art, philosophy, science and business. The development and use of new media should be stimulated through raising the quality of the content. New economic models must be developed to finance free, diverse, independent and high-quality digital news media.

Action 5: Promote innovation
There is a need for a more ambitious and broad-based innovation policy. Increased investment in science, technology and design should be combined with efforts to increase the demand for knowledge. Firms should be stimulated to combine scientific knowledge with experience-based knowledge. They should be encouraged to increase diversity among employees in terms of gender, education and nationality. The education of engineers, managers and designers should mix theoretical education with practical experience. Innovation policy as well as labour market and education policy should aim at mobilising users and employees in processes of change. Developing and implementing broad innovation policy strategies must be a major concern for political leaders.

Action 6: Think globally
Europe should be at the world-wide forefront in terms of science, culture and competitiveness. Collaboration within Europe in science, technology, education, design and culture needs to be further opened up to the rest of the world. A competitive Europe should develop economic collaboration both with the strong new emerging economies and with the poor countries most in need of support. Promoting innovation in poor countries is a moral obligation and it reduces the pressure of immigration. Europe should contribute to the establishment of fair rules regarding the protection and sharing of knowledge at the global level.

Action 7: Green the economy
Europe must mobilise creativity and innovation to transform itself into a post-carbon society. A key element is eco-innovation and the establishment of a ‘new techno- economic trajectory’ starting from ‘end of pipe’ solutions, moving through ‘clean technologies’ and ending with ‘system innovations’ that radically transform production, distribution and consumption. Investments need to be combined with new institutions, new regulation and new habits. Creativity is the major tool to find solutions that combine sustainability with prosperity.

12/17/2009

"Iluminar é preciso" - Exposição de alunos do IPCA


De 16 a 19 de Dezembro decorre no auditório do IPCA a exposição "Iluminar é preciso", que consiste numa série de projectos de candeeiros feitos por alunos de Design Industrial em colaboração com a iniciativa Design é Preciso.

12/16/2009

Blog Design Studio em gráfico

clicar aqui para acesso site de geração

Acessos Blog Router em gráfico

link aqui

Art Lebedev's Rozetkus 3D socket concept gives you five plugs where once there was on (see here)

DESIGN FACTORY


Welcome to Design Factory!

An interdisciplinary product design and learning hub. Uniting students, teachers, researchers and industry. Design Factory is an experimental platform of Aalto University, started in Autumn 2008. The Factory is a constantly developing physical, social and mental environment, aiming to support interdisciplinary and international co-operation between parties interested in design and development. Located in Otaniemi, the Design Factory building hosts a number of courses, research projects and start-up companies, as well as some short-term co-operation projects. You are welcome to join us. The best way to do so is to come and visit (see here)

Evolução Civitas Bus


12/14/2009

Mas quem foi que criou o mito sobre os velhos?

A revista do New York Times publicou um artigo sobre uma experiência levada a cabo por dois professores de economia sobre diferenças entre as capacidades de correr riscos, competitividade e cooperação de dois grupos diferentes de pessoas: um com participantes acima de 50 anos e outro com participantes abaixo dos 30.
Os resultados falam por si. Vamos lá ver se se acaba com estes "mitos urbanos".

Notícia:

"Myth of the Deficient Older Employee, The
Although workers who were 45 and older had lower unemployment rates in 2008 than younger workers, they stayed unemployed for longer periods, according to the Bureau of Labor Statistics. This is not surprising. Employers are often reluctant to hire older workers, not only because they have higher health care costs and sometimes command higher salaries but also because of their reputational stigma. Older workers are commonly thought of as being less productive and less willing to learn than younger workers, as well as overly cautious. But this year economists presented a more nuanced picture than the above stereotypes suggest.

In The American Economic Review in June, Gary Charness, an economics professor at the University of California, Santa Barbara, and Marie Claire Villeval, a colleague from the University of Lyon, published the results of a study in which they pitted "seniors" (those over 50) against "juniors" (those under 30) in three different decision-making tasks. These were formulated to test risk taking, competitiveness and cooperation.

As it turns out, the "seniors" more than hold their own. The seniors were also more cooperative, contributing more to their group during the cooperation test. The seniors outperformed the juniors on one competitive word game — and were only "very slightly less" competitive overall, Charness says. "Older workers," he stresses, "don't suffer from the deficiencies that a lot of people think they do."

Another welcome finding of the study came during the cooperation portion, when Charness and Villeval found that groups with a mix of ages outperformed homogeneous groups. For an optimum work force, Charness says, it is best to have a range of ages in the office. LIA MILLER"

12/03/2009

Pedro Carvalho Almeida

Sanjo: história de uma identidade

Designer português usa estudo de caso da marca Sanjo para investigação em doutoramento. Pedro Carvalho de Almeida quer ajudar a escrever a história da Sanjo, marca convertida em ícone cultural, como pode sobreviver em vez de sucumbir à actualidade. ver mais >>
O Designer Pedro Almeida dará uma aula aberta sobre Marcas aos alunos do Mestrado em Design Industrial sexta feira 4 Dez pelas 16:00 na sala B335.

icograda news

read more>>

Queensland launches initiative to boost business through design

Brisbane (Australia) - The Queensland Government has launched a $1.1 million initiative to encourage businesses to embrace the power of good design to gain a competitive edge.

Under the Ulysses program, successful Queensland designers will be linked with selected businesses to transform ideas into sought after products and services.

Treasurer and Minister for Employment and Economic Development Andrew Fraser said the new program, called Ulysses, was the cornerstone of the government's 2009-2010 creative industries program.

12/02/2009

A razão da minha menor actividade no blog...

Pois é; regressei ás origens! ou seja aos MACs e reactualizar tudo é demorado, mas vai indo!

Modelos de território do design

É gratificante verificar que o modelo que se propõem para os 2ºs e 3ºs ciclos de Design e Desenvolvimento de Produto na FEUP tem tantas semelhanças como modelo em que se baseia o renovado Stanford Institute of Design. Em pequena escala, sem grandes meios, pelos vistos pode chegar-se às mesmas conclusões que as mega estruturas com grandes meios, eh eh eh! Small is beautifull!







Design for Giving Contest 2009

Riverside School is thrilled to announce that the final round of judging has concluded for India's largest social change contest for schoolchildren. An international jury panel met to select 100 winning entries from more than 1,300 moving stories of change from around India. And what a fantastic journey this has been- a journey to discover what school children can do if they are empowered to be the change they want to see in this world!`

11/30/2009

Engineering, Social Justice and Peace

Está aberto até dia 1 de Fevereiro de 2010 o período para o envio de resumos para apresentação na conferência "Engineering, Social Justice and Peace" a realizar em Agosto de 2010 em Londres.
Descrição do evento retirada do site:

"The Engineering, Social Justice, and Peace (ESJP) network are delighted to announce their Sixth Annual International Conference, to be co-hosted with the Royal Society for the encouragement of Arts, Manufactures and Commerce (The RSA) in London from August 4th to 6th 2010 in collaboration with the Higher Education Academy Engineering Subject Centre and Engineers Against Poverty.

Abstracts for presentations are welcome which:

1. Critique of existing or past practices and presentation of just alternatives especially in relation to the engagement of engineers with the communities, which they serve.
2. Critique of or alternative forms of equitable engineering organization and management.
3. Examples of pedagogies, curriculum or community service learning which promote socially just engineering practice.
We also welcome newcomers and students who are interested and have not yet begun to work in this area. Introductory sessions will be designed with this group in mind.

The international interdisciplinary ESJP network formed in 2004 and has grown in its passion and mission to create a knowledge base, support network, scholarship, and educa­tion to promote the education of engineers who promote social justice and peace. The first five conferences have been held in North America and we are particularly pleased that this meeting will be the first in Europe where we hope to grow our network.

The RSA through their ‘Design and Society’ program, whose aims are very similar to our own, are excited to work with us and we are developing a two day meeting which will include papers, interactive discussions, creative workshops and the chance to network with RSA Fellows in an evening reception with an invited speaker.

When: From noon August 4th 2010 to 1pm August 6th 2010.

Where: The Royal Society for the encouragement of Arts, Manufactures and Commerce (The RSA) at 8 John Adam Street, London, which is close to Trafalgar Square, Leicester Square, Piccadilly Circus and next to the Thames. The closest tube stations are Charing Cross and Embankment.

Cost: £150

Accommodation: If you are on a budget, accommodations for as low at 26 pounds per night for a single can be found here. For accommodations closer to the conference venue albeit more expensive, check out the Strand Palace.

A list of other accommodations is available here.

Agenda: We are pleased to announce the call for papers at the present time. We would like to invite submissions of abstracts of between 100 and 200 words, to include a summary of the content of your paper and how this relates to the themes of the conference. It should also include a short statement of your proposed presentation style. We offer the following suggestions for styles. We will not have any formal lecture presentations. [Note this will not affect travel funding. Institutions who require a paper to be presented at the workshop do not impose presentation styles].

Short presentation (ten minutes max) followed by discussion around key questions (30 min in total)
Workshop (one hour)
Facilitated round table or panel discussion on key issues (30 min)
Any alternative interactive style of presentation such as forum theatre (one hour)
Deadline for abstracts Feb 1st 2010

Special issue International Journal Engineering, Social Justice and Peace (IJESJP): We are delighted to announce that we will launch the IJESJP with a special issue focused on the 2010 annual conference. We will invite full papers to be submitted one month after the conference.

Contact: For conference enquiries contact Caroline Baillie, Chair of Engineering Education at the University of Western Australia (caroline.baillie@uwa.edu.au). Please submit abstracts by email to Jens Kabo, the ESJP secretary at secretary@esjp.org."

Vencedoras do concurso "Liberdade de Movimentos"



A aluna Melissa Monteiro do curso de Design da Universidade Lusíada do Porto ganhou, com o projecto "Adapt" (imagem de cima), o concurso "Liberdade de Movimentos" da Roche para o desenvolvimento de vestuário para pessoas com artrite reumatóide.
O prémio do público foi para uma outra aluna da mesma universidade - Isabel Correia -, que apresentou o projecto "Lawless" (imagem de baixo).
Ambos os projectos foram desenvolvidos no âmbito da disciplina de Design do 1.º ano, leccionada pela designer Lígia Lopes.
Só e pena que não se consigam encontrar em parte alguma imagens mais detalhadas dos projectos. Ainda assim, damos os parabéns às alunas vencedoras e à professora que as orientou.

11/18/2009

"Happy Basin" - Purificador de água


Os designers Woo sik Kim e Duck soo Choi desenvolveram um novo dispositivo para filtrar água de modo a que fique potável e assim permita que seja bebida ou usada para higiene pessoal.
O "Happy Basin" fica pousado sobre a água e, ao ser empurrado para baixo, faz com que a água passe através dos filtros localizados no fundo do dispositivo. Ao passar pelos filtros a água tranforma-se em água potável que fica acumulada no contentor.

Via Medgadget

11/14/2009

Novos computadores


Chegaram finalmente os novos computadores para a Carla Rocha o Luis Carvalho! O Luis estava nas suas sete quintas a montá-los!

11/10/2009

New Aalto University in Finland - Where science and art meet technology and business



No dia 13 de Novembro, a sala B016 da FEUP irá acolher a palestra "New Aalto University in Finland - Where science and art meet technology and business", realizada por Tapio Yli-Viikari, vice-reitor da Escola de Design, da TaiK - Taideteollinen korkeakoulu - University of Art and Design Helsinki UIAH.


"New Aalto University in Finland - Where science and art meet technology and business"

"Architect and designer Alvar Aalto (1898 - 1976) has been the inspiration to new multidisciplinary institution of education and innovation in Finland.
Aalto University is a newly created university resulting from the merger of three Finnish universities the Helsinki School of Economics (founded 1911), the University of Art and Design (founded 1871) and the Helsinki University of Technology (founded 1849) all leading and renowned institutions in their respective fields and in their own right. Aalto University will begin operating in January 2010, and open up a new world of possibilities for multidisciplinary education and research.
The great challenges of our time are the issues of global economy and environment, and the need of a new culture of innovations create the conditions to launch this project. Aalto University is to be one of the leading institutions in the world in terms of research and education in its own specialised disciplines by 2020."